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Tara Nicole Hughes

Dancer

“Those performances with him were very special and profound artistic moments for me. I am so grateful to have been a part of his magic.” Tara

Tara Nicole Hughes is a creative force. She has an impressive list of Choreography collaborations including iconic musical films Joker: Folie a’ Deux, Disney’s live action The Little Mermaid, Mary Poppins Returns, Nine and Burlesque.

As warm, patient and inspiring as she is talented, Hughes has a particular gift for creating a safe and energizing work environment for actors who may be intimidated by movement. As a result, she’s worked with some of the most brilliant of our time including Daniel Day Lewis, Joaquin Phoenix, Meryl Streep and Emily Blunt as well as with music stars Taylor Swift, Lady Gaga and Jennifer Lopez.

Tara Nicole Hughes

Tara Nicole Hughes

Other Choreographic credits include, for television, Good Girls Revolt, House of Lies, The Middle, Trophy Wife, Raising Hope and My Name is Earl. Feature films include Kiss of the Spider Woman (Dir. Bill Condon), Good Fortune (Dir. Aziz Ansari), Danny Collins starring Al Pacino (Dir. Dan Fogelman), The Terminal (Dir. Steven Spielberg) and The Next Best Thing (Dir. John Schlesinger).

With Tara’s Master’s Degree in Spiritual Psychology and her understanding of the healing power of dance, she has created the program INsideOUT , a powerful and practical workshop using meditation, visualization and dance movement to bring more inner peace and well-being.

In 2004, Tara performed with Joe at the Chicago Art Institute and later, for two performances of the same show at the Great American Music Hall in San Francisco

Learn more about Tara at her web site.

Reviews of Joe’s Work

"Frank has created a series of dead-pan radio monologues so sharp and intelligent that during the quiet bits you can almost hear God taking notes."

The UK Guardian

"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."

The L.A. Weekly

"[Joe Frank is] the most imaginative, literate monologist in radio today... If a microphone could capture the nether recesses of the modern psyche, it would sound like Frank's absurd comical excursions: Radio Vertigo."

The Village Voice

"To me, he's what radio is really for... his show makes me think he's getting to some great truth... so completely captivating and just unlike anything else."

David Sedaris, writer

"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."

The Wall Street Journal

"The perfect Joe Frank experience is driving down an unfamiliar highway alone at night. You turn on your radio and are greeted by a lush, resonant voice that lulls you into a seemingly simple tale of love: a man at an airport saying goodbye to his wife over the phone, which abruptly turns into a vision of betrayal, alienation and death - often from obscure disease - all brought about by some profound personal failing, which is redeemed at the last moment by a nearly transcendent moment of joy."

Salon

"Frank [is] the apostle of radio noire... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."

Rolling Stone

"Joe Frank's often bizarre scenarios for the mind are decidedly offbeat radio fare...part surreal satire, part bizarre meditation, part fever dream."

Los Angeles Daily News

"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."

Spin Magazine

"Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."

Salon Magazine